Category Archives: TV
A Bunch of Idiots Follow an Idiot to do Stupid Stuff: A Fair Review of Z Nation
Episode: “Puppies and Kittens”
Starring: Harold Perrineau, Mark Carr, Tom Everett Scott, Kellita Smith
Synopsis: Hammond must transport ex-prisoner Murphy across the country to California, where scientists will (hopefully) be able to use his blood to create a zombie vaccine. Along the way, they enlist the help of several other survivors to get there.
General Opinion: Among the worst non-reality shows on TV. Low budget, poorly written, and hoping to succeed on the strength of its de facto number two spot in the zombie TV genre.
The Walking Dead enjoys a fairly unprecedented kind of success. Not only is it the sole zombie themed show on TV, but as it completed its fourth season earlier this year, it was still the only show of its kind. Generally all it takes is one successful season with ratings like TWD has seen for other studios to spring to action working on competing programs.
Well, it’s finally happened in Syfy’s brand new Z Nation. Although to call it “competition” would be to give it way too much credit.
The first thing anyone notices about a Syfy TV show is that it’s on Syfy. Strike one. This isn’t to say the channel has never had a hit. Just that the biggest hit in recent memory was Sharknado, a TV movie that was known for anything but quality.
True to form, Z Nation is bad. But it’s not only bad; it’s exceptionally bad. And not like fun bad, either. Just plain, straight up bad. Stinky bad. It stinks. It stinks like poo. I hate to resort to childish language, but I fear it’s the only thing this show would understand. So, Z Nation…you are a smelly doodyhead.
The show begins with a couple of soldiers – including Michael from Lost (the character’s name is Hammond, played by Harold Perrineau, but I kept calling him “Michael from Lost” while I watched it). They are running away from zombies inside a Naval prison. These appear to be the fast kind. They close a barred door for safety, and squeeze off a few rounds into the zombies on the other side. They score a few headshots, but the zombies don’t appear to have died. So it looks like we’ve got some Return of the Living Dead style zombies, totally unkillable without complete destruction of their bodies. Cool!
Michael-from-Lost hurries off to a small room where some scientists are doing science stuff to some prisoners who are strapped down on tables. MFL defends the room when a few zombies run in, using quick shots to the head to take them down. Then…hey wait, now that works? I didn’t work like a minute ago. I’d say maybe he just missed before, but the awful mix of squid and CGI for the gunfire hits definitely draws the eye, and those hits were dead on. Well, okay, whatever..anyway the scientists explain that they’re testing a zombie vaccine on these prisoners, who are unwilling subjects, but no matter. They try it on the first two prisoners and both die. They try the last, but are overrun, and MFL has to escort the scientist out of the room to an awaiting transport. The third prisoner gets eaten up by zombies. MFL tells the scientist if he is not back in 2 minutes, leave without him.
We cut then to a group of survivors in the woods, apparently a small settlement called Camp Blue Sky. The show is 3 years after the start of the zom-pocalypse (a term they actually use in the show), and these people appear to have set up a safe place. There’s a very strange, ritualistic shooting of an old woman, rather unsettling, particularlyconsidering she didn’t appear infected; but if all the dead rise, perhaps euthanasia has become part of life, rather than tying down all the sick and dying and shooting them once they turn. The two most capable folk in the settlement (Garnett and Warren) are seen on the shore of a lake, or perhaps river (it’s hard to tell), where they encounter two men in a small boat. When the men row up to shore, we see that it is MFL and the prisoner who got eaten up by zombies, apparently still alive.
MFL says he has to get this guy to California because he’s a valuable asset that could solve the zombie problem once and for all. He asks the two capable settlement folk for help, and they reluctantly agree, though MFL still does not tell them why. They pick up 3 more members of the settlement, on the run from some zombies, and head off to help MFL get to the first leg of his journey knocked out so he can get to Cali. On the road, they insist to know what makes the prisoner guy so important, so MFL tells them. Prisoner guy shows his bitemarks, and MFL explains that the vaccine worked, and so this guy has something in his blood that can help some science people figure out the vaccine.
They all go to this place, a former safe zone that is clearly not any more. They go inside to look around, and to be honest, this is where it starts to get really, intensely stupid.
First of all, the dialogue is very, very bad. There is a lot of expository dialogue, as well as a lot of nonsense. Some examples:
Garnett and Warren hear the sound of a baby crying somewhere in the rubble they’re all about to checkout.
Warren: “Do you hear that?”
Garnett: “Sounds like a…baby!”
(Because when one hears an unmistakable sound, some discussion is necessary to agree on what it is.)
Then, explaining she is not good with children, Warren says “me and babies, not so much.” It’s one of those lines that sounds kinda snappy when you write it, but when you hear someone say it, you realize no one talks that way.
Warren: “What the hell we gonna do with a baby?”
Garnett: “Beats me, I stopped planning 2 minutes ahead years ago.”
Yea? How many years? I guess not more than 3, since that’s how long this has been going on. I guess you abandoned planning pretty early into this thing. And yet you seem to have been instrumental in establishing a defended outpost in the woods. Cool you can do so much building and supply gathering on the fly like that.
The group then encounters a woman in a cage on the roof of the building, surrounded by zombies. She’s asleep in a crouching position (Cassandra, played by Pisay Pao), so the group clears the zombies and gets her out of the cage. This is a ridiculous situation. Why is she in this cage? She explains later that she locked herself in to escape from the zombies. She also explains that she lost the key. So…okay, she must have been carrying around a padlock with her then, and was carrying the key at some point, but misplaced it. She has no pack on her, so it’s not like she is just always super prepared for anything, so much so that she has a lock in case she needs to lock herself in a small cage to get away from zombies. The implication is that she was carrying this lock in her hand everywhere she went, and then used it, somehow not even realizing that she didn’t have a key. Of course, she could be lying…maybe she was locked in the cage by someone else. But that doesn’t make sense, as she is armed, and one generally disarms prisoners prior to lock-up. And in either case, why the hell is there a cage that is essentially a jail cell on top of this roof? Who put this here, and why?
Like most of this show, don’t expect to get an answer to that question. The show just asks you to let it slide because they felt it was a cool way to introduce Michonne – er, sorry, Cassandra – to the program.
Warren refers to the zombies, when they are approaching, as “puppies and kittens” (the title of the episode). I understand why they would come up with a polite codeword for monsters, but at the same time, it just sounds soooo stupid.
Garnett and prisoner guy are watching the baby while the others go out and start dealing with some zombies. Garnett uses a hammer as his weapon (which is stupid, sorry, it just is). And he decides to open the unlocked door in the place they are defending to peek outside, because he’s the kind of smart soldier who fights zombies with a hammer while his comrades have machetes and guns. He takes out several zombies, painting the walls with the ridiculous amount of blood that bursts from their heads when they are smacked with a hammer, and then Warren comes in to hang out with him.
And now comes the stupidest part of the show, and possibly of any TV show or film I have ever witnessed. The baby starts making scary noises, and they look down at it to see that it has become a zombie now. It makes a zombie scream- growl noise at them, then jumps out of its car seat and runs away.
Okay, where to begin with this?
First, let’s go with…while we haven’t yet learned all the ways one can become a zombie (we know bites do it, because it’s a big deal that prisoner guy has been bitten but did not turn, but we don’t know if ingesting blood accidentally, being scratched, or just dying is enough to transform), none of the typical methods have happened to this baby. It wasn’t bitten or scratched. While Garnett was decorating the room earlier with zombie blood, we did not see the baby get any on him, nor are we later told that this is what happened. The baby is just sitting there being normal one second, and the next he’s a zombie. Is it airborne now? How the hell did this random transformation happen? While the show is content to leave this question unanswered, as a viewer one cannot let this go. The implications are huge for this world. If the virus went airborne there, even only in one case, it is evolving and that is a major concern. Maybe it’s already airborne, and like the Walking Dead, everyone is already infected – it just doesn’t affect the living – and maybe babies are too weak to keep it at bay like adults do. This would mean that people can no longer reproduce, which creates a certain apocalyptic scenario – people will be extinct in, at best, another 40 years or so. That might make a good story, but if that’s what the story is, please let us know! But there is no answer, and probably never will be. Because “scary zombie baby” is as far as the writers got with the idea.
Second, why can this baby – who was kicking about in its onesie moments ago – suddenly jump, run, scream, and even hunt? There is some debate in the zombie film world regarding fast vs. slow zombies. The debate is, to an extent, about which is better…but go deeper, and you’ll find the fast zombie crowd always on the defensive, having to defend the very idea. I’m on the slow zombie side, like a lot of folks. Simon Pegg explains it well, as he did in an article for the Guardian, when he said “death is a disability, not a super power.” When zombies are just people who are sick, why can they run faster, jump higher, run up walls and stuff? Maybe the zombie condition is caused by
some sort of parasite, who has the symbiotic effect of enhancing the muscles just slightly. Or perhaps it’s a virus like any other, and at the least, it doesn’t make the host any slower, still able to run and jump as they could before. But a newly zombified baby suddenly gaining the capability to not only walk, but to run and jump, makes no sense at all. And so it was that this Z Nation, at the 33:37 mark in episode one, jumped the shark. This might just be a record.
As if anything else needs to be stated after this completely ridiculous scene, the show has another 10 minutes to keep being stupid. So there is more.
Warren and Garnett debate which of them should do it, because neither of them wants to kill a baby. Even if it’s a damn monster. The baby attacks, and they run outside and shut the door.
And then…they decide they need to go back in and kill it. What the hell? We just established neither of them wants to do it, and now they they’re safe, they decide they should do it? I don’t understand what is wrong with how these people think!
When prisoner guy responds with some sarcasm about the baby turning, Garnett grabs his collar and slams him against the wall. MFL pulls a gun on him and says “let him go, or I will send you to walk among the dead.” Who talks like that?!
It’s decided that the most capable, best equipped soldier should go into this unexplored building to fight the zombie baby by himself, because logic was one of the first casualties of the zombie outbreak. Predictably, he gets overwhelmed by the baby and another zombie, gets bitten all to hell, and the group comes in to find him being eaten up. Based on the apparent age of the baby – maybe 8-9 months – I had to question then how this thing was even able to bite when it would have had, at most, a couple of recently sprouted teeth. But whatever. We’ve abandoned reason at this point in the episode anyhow.
Next stop on the stupid tour is the entire group entering the building to find MFL being eaten, and all drawing their guns. They let loose a hail of bullets on MFL, the baby, and the the other random zombie that showed up to help the baby in its raptor-like hunting strategy. This bothered me, but it also serves as a great example of what exactly is wrong with this show. See, earlier in the episode we saw some people haggling, and it appeared that bullets are even more valuable than medicine (a character tries to trade bullets for aspirin on a 1-to-1 basis, but the trade is rejected because “you can’t kill a zombie with aspirin”). And yet, faced with 3 easy targets, a group fires off roughly 7 or 8 dozen bullets. It’s hard to say exactly how many – I did try to roll it back and count – because there are automatics in there, so a couple of the rifles get out a dozen or so rounds for every 5-6 that the pistols fire. The point is, 3 bullets would have gotten the job done, and they all knew it; so they all decided instead to empty their clips.
So how is this an example of what’s wrong with the show? It’s clear that the writers/director thought this scene was necessary because a bunch of people firing a billion rounds of ammo looks cool. “They’ll look super bad ass guys, standing there just firing a hundred bullets each!” And that would work for an action movie in about 1991. But I think audiences are over that kind of thing. It’s possible to do a major action scene like that and still look respectable; think the Walking Dead gang opening up Hershel Greene’s barn. But when the show has already set up a bunch of super badass characters, showing something like this is just another reason to roll your eyes.
And so, like the Resident Evil movies that they, for some reason, insist on continuing to make, this particular zombie property is all style and no substance. Something audiences are becoming immune to, as style without substance really isn’t very stylish.
Why does the baby become a zombie and get up to attack everyone? Because “zombie baby is scary.” Why is Cassandra in a cage? Because that looks kinda cool, and it’s a good way to introduce us to this character (who, might I add, looks like she’s meant to become the bad ass Michonne character, but in a group full of bad asses, that’s not going to go over well). Why does the group waste several billion bullets to kill two zombies? Because it looks cool when a group of people fires off a bunch of ammo at an enemy. Why anything? Because it looks cool.
Except, this show is so poorly directed, that even the bits that are meant to look cool don’t.
The creators of Z Nation figured they wouldn’t have to try to hard. There’s only one other zombie show on TV – AMC’s The Walking Dead. Syfy assumed that it’s a success because people love zombies. But that’s not why both my parents, and all my aunts and uncles watch TWD. Zombie films are usually B-movies because, despite their current popularity, it’s actually really hard to make people like a zombie movie. They’re usually really bad, and audiences don’t ignore that simply because there are zombies. TWD is actually more the exception than the rule. If we didn’t care about the story, and about the characters involves, the zombies wouldn’t make us watch it anyhow. TWD ropes us in early. We like Rick and we want him to find his family. The zombies impede his progress. They are his obstacle. They aren’t cool in and of themselves; what we care about his how the survivors do what they do despite the zombie menace. TWD knows this, and so it succeeds.
To make us care, as an audience, about your story, you first have to make us care about the people involved in it. If you can’t do that, you fail before you begin. Z Nation has a decent enough plot – a group of people must take the only living link to the only successful zombie vaccine ever developed to the scientists who can use him to figure it out. But I don’t care if these people succeed, because from what I can see, everyone in their world is a contrived, unbelievable character, and I don’t care if their world ends right now. Why should I care about any of these people? MFL, Warren, Garnett, Cassandra, these people are all Batman-level super bad asses. They don’t need my empathy, they’ll be fine on their own. Mack, Addy, and Doc, the other three characters following them around, are mostly just there to make the group a bit bigger, and give the writers some “main characters” to kill off in coming episodes. I don’t know who these people are, where they came from, if they have families, goals, hopes…I have no reason to root for them, because they are 2-dimensional, cookie cutter characters. The show wants me to like them because I see them doing a few cool things. But that’s not enough.
Think of Daryl Dixon. I’m sorry to keep comparing this show to the Walking Dead, but given that it’s one of two zombie shows on TV, there’s not a lot else to compare with. We don’t meet Daryl at first – we meet his brother Merle, who is left handcuffed to a roof when Rick and several others escape from Atlanta. Daryl’s very first story is going back into Atlanta with Rick to try to save Merle. It’s a good storyline, very typical of that show; we can sympathize with his desire to save his brother, his only living family member, but at the same time we recognize the complication of risking ones life to save a worthless human being. Daryl seems a bit smarter than Merle, and even recognizes that Merle sucks. So we’re drawn into this character. We care about his story. It’s intriguing. We care when he is surrounded by zombies, we cheer when he uses that trademark crossbow to kill them, and we really love how cool he looks shooting one, then snatching the bolt out of its head to shoot another.
Conversely, Z Nation gives us Garnett. All we know about him is that his name is Garnett, he’s apparently in the National Guard (which isn’t so much a thing anymore). And that’s all. If he’d been killed in this episode, I would not have been bothered by it. I don’t know anything about him other than that he was in the National Guard, and I assume his goals extend as far as “don’t die.” Okay, sure. I’m the same way, personally. But don’t tell me a character likes food, water, and oxygen and expect me to therefore immediately identify with him.
This is especially necessary if you’re going to trick me by killing the obvious main character in the first episode. Remember Scream, which was initially billed as starring Drew Barrymore? And how surprising it was to have her killed in scene one? Dropping the story then into Neve Campbell’s lap, poor Neve had to face the difficult task of then becoming a likeable, sympathetic character almost immediately, or we wouldn’t care about the story for long. She did a decent job for her first time out, so happily, we were able to feel engaged. But think if, instead, Neve had been given cheesy, stupid dialogue, delivered a very flat performance, gave us little in the way of background or personality to care about – generally, just sucked. Would we have sat there for another 70-80 minutes to see how her story turned out? Probably not.
So why should we tune into Z Nation for episode 2?
Well, the answer is probably “to see if it still sucks.” But, spoiler alert – it will. The show is just trying to look cool, and doesn’t care about anything else. Unfortunately, it didn’t even look that cool, so it failed on all levels.
There are about another 5 minutes of show to discuss, but it’s not worth going into. I will say my partner and I kept laughing while first Addy, and then Garnett talked to DJ Qualls on the radio, only to have the rest of the group ask what was said, as though it was a phone and not a walky-talky loud enough for everyone within 10 yards to hear it. And get ready for the end, because DJ Qualls – who throughout the episode has been some kind of military radio operator – puts on sunglasses, turns on a record, and suddenly becomes freaking 3-Dog from Fallout 3. Yea boy, turns out he’s also a part-time pirate radio DJ or something stupid like that. Isn’t it cool? See his sunglasses? Sunglasses are cool!
Sunglasses are cool. But put them in Z Nation, and somehow they suck.
A teaser trailer for the 5th season of cable’s biggest show The Walking Dead has appeared online! Here it is, with a bit of commentary below.
What I get from this is that the group will be escaping from Terminus fairly early in the season – quite possibly episode 1.
At the 6 second mark, we see Sergeant Abraham Ford (Michael Cudlitz) bursting into action, shouting “move!” and charging the door of the boxcar they’re currently trapped in. Of course, then we see Rick hit the floor, so their escape may not be as easy as they hope. But I can’t help thinking that the bus flipping at the 11 second mark might be their escape vehicle. It looks like the prison bus several characters were using to escape last season, but as I recall, that one was upright when we last saw it, so this must be new footage. There are several shots of the characters elsewhere, mostly doing battle with zombies (including one sweet zombie-filled explosion), but we see Tyrese punching someone out – most likely a person, most likely during that escape from Terminus.
That’s how I read it anyway! Do you have any different thoughts? Share below!
The Walking Dead premiers on October 12 at 9:00 p.m. EST.
In the gaming world, there’s a rule about preview artwork for upcoming games: it’s all lies. They present you with supposed screenshots to make the game look awesome and make potential buyers excited about it, but those scenes never appear in the finished product.
I think something similar applies to “spoilers” for upcoming TV shows, such as season 5 of the Walking Dead, set to premier next month. Occassional leaks do occur, and with a show that’s filmed entirely on location, it’s hard to prevent a few pictures from getting out there.
But the latest supposed spoiler for the show proposes that Daryl Dixon is going to lose a hand – and I have to call bullshit on that one.
The info comes directly from Norman Reedus’ personal Twitter account (
@wwwbigbaldhead), and I’m fairly certain that they wouldn’t have let him put actual spoilers out there like that. The move has to have either been contrived by the show’s producers, or a pre-approved joke by Reedus.
The story involves Daryl Dixon losing his right hand. It comes from a series of pictures Reedus posted, a play on the recent rumors about Dixon’s homosexuality (a rumor that seems awfully far-fetched to me, seeing as he’s had more female love interests than most of the characters on the show). One picture shows him with show producer and makeup effects artist Greg Nicotero on one knee in front of Reedus, miming putting a ring on his finger, with the caption “I said yes.”
What’s most noteable about the photo, though, is that Reedus’ hand is covered in nasty black blood. The follow up photo shows what looks like the hand lying on the ground, with the caption “Divorced.”
Looks like a big uh-oh for Daryl’s hand, right? I say it’s total crap. And here’s why:
In the comic, Rick loses his hand when the group first discovers Woodbury. It’s cut off by the Governer when Rick lies about the location of their camp. Now, forevermore, Rick shall have no hand in the comic book. But they didn’t do this on the show. Why?
“I like the fact that he lost his hand in the comic,” says comic writer/TWD creator Robert Kirkman. “To be perfectly honest, the practical difficulties of having a guy who doesn’t have a hand is extremely complicated in the comic and would be impossible in the show. Because the comic book doesn’t move. For instance, in a recent issue, I think it’s 122 or 123, Rick is standing on top of a truck. It would take him quite a while to climb on top of a truck with one hand, but we just show him standing on a truck. And you’re reading that comic, and you’re like, ‘There he is on that truck.’”
But of course you’d have to show him doing that on the show, or forever just use creative editing to skip around all that, and hope no one asks questions. Plus you make a right-handed actor use his left hand for everything, including action scenes, which is something that can be pretty taxing on an actor. And putting undue strain on main characters is a bad idea. You piss off Scott Wilson, and whatever…Hershel is going to die at the end of the season, so what difference does it make it he sours on the role? But make Andrew Lincoln – or even worse, Norman Reedus – not want to do it anymore? And you’ve, well, cut off your right hand. That’s bad for business.
Then there are budgetary concerns, the logistical issues (they might just bandage the hand to look like a stump, but it would be as long as the other hand, so they also might just go for a green screen effect like with Michonne’s zombie pets). And don’t forget you’d render Dixon unable to use his trademark weapon with a move like that. Maybe you can steady a crossbow on a stump and pull the trigger with the other, but how are you going to reload? With your teeth, like The Green Arrow in the Dark Knight Returns?
Yea, I don’t think so.
So, don’t expect to see this happen in season 5. Take your spoilers with a grain of salt people!
So what’s happening elsewhere in the apocalypse?
AMC has ordered a pilot episode for a spin-off of The Walking Dead. That’s right – AMC’s doing a second zombie show (sorry, walker show) set in the same universe where Rick, Carl, and of course Daryl are taking the heads off of undead freaks in the American south. Only this one will be set somewhere else, with new characters.
“There are many corners of The Walking Dead universe that remain unseen in the shadows. Being given the opportunity to shine a light into those corners and see what lurks out there is an absolute thrill. I know the fans are anxious to hear what Dave and I have been cooking up for this new universe of The Walking Dead, and I’m happy to be one step closer to sharing it with them,” Kirkman said.
Even when I was just reading the comics, before there was ever a show, I wondered what was happening outside Georgia. Now we’re going to find out a bit about that. At least I assume it won’t be set in the same place.
That’s because we are unlikely to see the characters from the current show on there. This is something of a no-no with spin-offs. If you bring Daryl in on the first episode, people watch it for that reason. The show has to succeed on its own merit. Cameos may happen later on, but that tends to only happen when the ratings are slipping…and by the time they are resorting to tricks like that, it’s only to delay the inevitable.
The pilot is supposed to start production in January 2015, and if all goes well, we may see the new show premier alongside the season six premier of the Walking Dead.
It’s hard to imagine that anything but serious technical difficulties preventing AMC from picking the show up longterm, given what a cash cow the current series has been. The show averaged about 15 million viewers last season, about 11 of which were in the 18-49 demographic that marketers love.
Until then, we’ll just have to make do with the main show, which will premier next month. We’ll all muddle through somehow.
Well, it probably can’t. But I don’t think that’s the point. The point is we’re about to get a second zombie show on basic cable, and that’s pretty legit.
The series stars Harold Perrineau, Tom Everett Scott, DJ Qualls, Michael Welch, Kellita Smith, Anastasia Baranova, Russell Hodgkinson, and Keith Allan. It’s set to premier Friday, Sept. 12 at 10 p.m. Friday, a.k.a. TV’s big night other than Sunday (a.k.a. the Walking Dead night).
The show starts three years after a virus has turned the country into zombies. A group of survivors is escorting a guy who survived a zombie bite from New York to California, where a lab of epidemiologists is waiting to test his blood. The official description states: “Although the antibodies he carries are the world’s last, best hope for a vaccine, he hides a dark secret that threatens them all.With humankind’s survival at stake, the ragtag band embarks on a journey of survival across three thousand miles of rusted-out post-apocalyptic America.”
From the look of the trailer, it’s not the same high quality stuff as The Walking Dead, and might even focus a little more on horror. In the zombie genre, horror is becoming something of a novelty, with the focus generally being on shotguns and crossbows. So that could definitely be a fresh angle, particularly on TV.
As long as the quality is at least passable – which the trailer reveals it to be – it should bring some much-needed numbers for Syfy. The zombie genre is low-hanging fruit right now. People are hungry for more, and anything decent is bound to scoop up some ratings. The Walking Dead owns Sunday nights, averaging 15.6 million viewers. The second rated show Sunday night is Talking Dead – a show where people talk about the number one show – which brings in 7.3 million viewers. I’m sure Syfy would be thrilled with even a quarter of that average.
George A. Romero is the father of the zombie film, and an unquestioned genius of the genre. His last two movies fell a little flat, but are still better than 90% of the horror garbage out there today. But he’s not working on anything right now, and he’s got a fairly decent reason for it.
In an interview with Big Issue recently, he was asked about the subject, and had this to say:
Once they bleed out of pop culture I’ll be able to go back and do them again. I don’t want to touch them now. Gosh, they are all over the place. The Walking Dead is the number one television series in the States, World War Z, games, commercials… Ugh! It’s too much!
He was asked to direct a few episodes of The Walking Dead, but explains in the interview why he refused:
They asked me to do a couple of episodes of The Walking Dead but I didn’t want to be a part of it. Basically it’s just a soap opera with a zombie occasionally. I always used the zombie as a character for satire or a political criticism and I find that missing in what’s happening now.
So because pop culture is over saturated with zombies at the moment, he will go back to work on zombie movies when the fervor has calmed down. For now, he doesn’t want to be just another face in the crowd, which I can respect.
If you’ve got a Romero jones though – which I basically always do – he’s writing a 5 part comic book miniseries for Marvel called Empire of the Dead. I’ll definitely be picking up each issue as they start coming out in January.
Think you know The Walking Dead? Well, maybe you do. There are plenty of TWD superfans out there! But even if you are one, you may not have known some of these facts!
The Walking Dead
Norman Reedus originally went in to audition for the role of Merle. Thank the gods for insightful casting directors!
HBO passed on The Walking Dead because it was too violent.
Carl’s stunt double is a 31 year old woman named Ashley.
In Michone’s introductory scene, Danai Gurira had not yet been cast. So the mysterious, cloaked figure was not her.
The word “zombie” is not used in the show. Why? According to an interview with Robert Kirkman, in the comic world he created, zombie films, books, and shows do not exist. So none of the characters have ever heard the word “zombie” before.
The director tells the walker actors to act like they are “walking out of a bar at 2 in the morning.”
The show is full of nods to one of AMC’s other megahits, Breaking Bad. Daryl finds a bag of drugs that contains blue meth at one point (Walter White’s specialty), and Glen drives a sports car very similar to Jessie Pinkman’s in an early episode (the one with the car alarm, remember?). Also, this happens:
And lastly, Andrew Lincoln’s real last name? Clutterbuck.
Bonus: Here’s Mr. Clutterbuck speaking with his native British accent, wearing women’s underwear, and generally doing British TV stuff.
Daryl Dixon is known not just for his badassery, but for his signature weapon. But just what is that weapon? A crossbow, obviously, but which one? Well, Men’s Health was kind enough to confirm this for us in an interview with Norman Reedus. As a lot of fans had already figured out, Daryl’s been rocking a Stryker Strike Zone. But only for the last few seasons.
For the first couple of seasons, prior to his bad ass hair cut and leather jacket, he was wielding the Horton Scout HD 125.
It’s available on Amazon, and at Wal-Mart for $320.84. So if you’re a superfan with a ton of cash, you could pick one up. Or if you’re a hunter that prefers crossbows, it might be worth considering. After all, according to the reviews, Daryl really likes it.
If, however you are a walker or walker sympathizer, you might think twice about purchasing it.
I wanted to share a photo I found on my friend’s Facebook. Her name is Summer, and last season she got to play a zombie on Walking Dead! They do calls for extras down here in Georgia every season, and though there are a good many zombies in the show, only a fraction of the people who go for it end up getting to do it. Here she is in a selfie she took next to herself on the screen:
You can see Michone in the middle of the group there. It’s a scene where she’s moving through the woods with a horde of zombies. She ends out taking out some frustration on them and chopping them all up. But I watched it twice…Summer does not have a death shot! It might be assumed, but it might also be possible that zombie Summer shambled away unnoticed, and is still out there!
I live in Georgia, which you probably know is where they film The Walking Dead. A lot of season 1 was in Atlanta, but subsequent seasons have taken place in more rural areas around the state. A lot of filming has been done in Griffin, GA this year, which is about 20 minutes from where I live. Traffic has become terrible in that city from all the people driving by the set, and there’s always a crowd!
As you can imagine, Norman Reedus gets a lot of attention on set. What’s great to see is how amazing he is with the fans. He’s happy to sign autographs, though he can’t honor every request simply due to time restraints. He is polite, very nice to everyone, and really seems grateful for their support. This is a guy whose last major credit prior to The Walking Dead was the sequel to an independent action movie, and he has rocketed to international megastardom, going from slightly obscure to a household name. And it hasn’t gone to his head. He knows how beloved he is, and he is grateful for the attention.
I’ll share more pics from the Griffin set as I get them.